24.213 Philosophy of Film

As taught in: Fall 2004

A photo of a cameraman, director and two actors on a set.

Filming a burlesque on the burning of Rome, 1922. (Image courtesy of the Library of Congress, Prints and Photographs Division [reproduction number, LC-USZ62-119624 (b&w film copy neg.)].)




Prof. Irving Singer

Course Features

Course Description

This course is a seminar on the philosophical analysis of film art, with an emphasis on the ways in which it creates meaning through techniques that define a formal structure. There is a particular focus on aesthetic problems about appearance and reality, literary and visual effects, communication and alienation through film technology.

Technical Requirements

Special software is required to use some of the files in this course: .rm.